Blog posting due February 24, 2014:
Summary
In Ch. 4, “National Handwriting
Day,” Baron discusses the holiday, which symbolizes the larger phenomenon of
romanticizing handwriting versus type for its ability to reflect individual
personality. However, Baron then debunks
this idea by describing the mechanical, rote manner in which handwriting was
taught to be as uniform as possible. He
then discusses how typewriting made writing uniform and now we are returning to
handwriting in a different way as computers adopt fonts that look increasingly
similar to handwriting. Ch. 5 begins
with a discussion of one of the earliest writing technologies, writing on
clay. Baron discusses a project in which
students write on clay only to discover that it limits the amount of writing
they can do and the corrections they can make.
Baron then makes the point that typewriters and computers did not allow
for easy correction when they first began.
Ch. 6 discusses the advent of the personal computer and makes the point
that computers first began to replace the calculator, not the typewriter. Computers have been a technology since the
1940s, but it wasn’t until the 1980s that word processing programs were
introduced. Baron ends this chapter
suggesting that the computer eventually overtook the typewriter due to its
affordance of allowing writers to easily revise.
Critique
“The teaching of writing, or
composition, was also rote: students copied model essays as well as model
invoices so that they would internalize the structures used by successful
clerks and authors” (Baron, 2009, p. 56).
The dichotomy of handwriting as personal and technology as mechanical was
interesting to me in Chapter 4. This
quotation from Chapter 4 demonstrates the educators labored to make writing mechanical
and that, even though handwriting is perceived as personal, Baron demonstrates
that its goal was to be uniform. Today,
I believe, that rather than making writing mechanical, technology has the
potential to make writing creative and personal. For example through blogging or personal
websites, students can write traditional genres, yet publish the to a
personalized audience and combine text with images and audio to make writing
more of a creative, multimodal design process.
Connection
In Chapter 6, Baron discusses how
technology today has affected the way we write, transitioning what was once
very personal into a public act. In
education, research has shown that this public nature of digital writing is
often engaging for students. Because of
the authenticity of having a real audience other than their teacher in online
environments, students are often more engaged in digital than traditional
writing. However, I wonder if anything
is lost due to the publicity of this audience.
Does writing lose any of its positive qualities, such as honesty or
reflection, when it is published for more public than private audiences?